Back to pp. 26-31<\/a>
<\/p>\n[scrippet]INT. ORMONDE HOTEL BREAKFAST ROOM — MORNING<\/p>\n
Joy eats her breakfast while reading the paper. George passes by her table, purposely “walking small” and trying not to be noticed.<\/p>\n
JOY
\nGeorge —<\/p>\n
He pauses, tense.<\/p>\n
GEORGE
\nMrs. Collins?<\/p>\n
JOY
\nYour people are strange.<\/p>\n
GEORGE
\nMy people —<\/p>\n
JOY
\nThe English.<\/p>\n
The tension lessens. Joy points at the paper with a piece of bacon she’s holding.<\/p>\n
JOY
\nThis lord of yours says his estate is being ruined by UFOs leaving crop circles all over his fields. Lord —
\n(pronounces it as spelled)
\nCholomondeley.<\/p>\n
GEORGE
\n“Chumley.”<\/p>\n
JOY
\nWhat?[\/scrippet]
\n
\n[scrippet]
\nGEORGE
\nIt’s pronounced “Chumley”.<\/p>\n
JOY
\nWhere’d all the other letters go?<\/p>\n
GEORGE
\nMaybe we lost them during rationing?
\n(smiles)
\nTruthfully? I haven’t a clue.<\/p>\n
JOY
\nWeird. But not as weird as this naked lady on page three. And what’s this “Mrs. Collins” stuff?<\/p>\n
GEORGE
\nI’ll bring you a newspaper without the naked lady… Joy.<\/p>\n
JOY
\nCut it out, George. This one’s fine.<\/p>\n
He MOVES OFF. Joy bites into the bacon… with the same kind of results you might get from biting a rubber band. Finally she puts it down. George comes by again with some used dishes.<\/p>\n
JOY
\nOh, and George? What’s the van with the antenna on it that comes by at night? Somebody else here looking for UFOs?<\/p>\n
GEORGE
\nVan? Oh, probably you saw a TV license van.<\/p>\n
JOY
\nTV license? You have to have a license for a TV here?
\n(completely bemused)
\nNext you’ll be telling me the authorities prowl around and ticket you for viewing while under the influence.<\/p>\n
GEORGE
\nNot quite. They do scan for illegal TV’s, though.<\/p>\n
JOY
\nIllegal TV’s. What a place…<\/p>\n
George goes off, looking amused and relieved.<\/p>\n
Gunter PAUSES by Joy’s table. She gives him a long look, working out her own reaction. Gunter WAITS. Finally Joy points at the chair. Gunter sits down: she puts the paper aside.<\/p>\n
JOY
\nAnd as for you. Why didn’t you tell me?!<\/p>\n
GUNTER
\nWhat? That I was dead?<\/p>\n
JOY
\nYeah, well, all right.
\n(beat)
\nYou just look so normal.<\/p>\n
GUNTER
\nI was normal. Most of us look the way we looked just before. A few look younger, or some other way they like to look, if their will’s strong enough.<\/p>\n
JOY
\nBut how —
\n(embarrassed)
\nI’m sorry. I’m so nosey. It’s just —<\/p>\n
GUNTER
\nYou’ve never talked to any dead people? I do not talk to that many “live ones,” myself, as a rule. One does not desire to, well, attract attention, when one legally does not exist.
\n(beat)
\nCome meet the others. They are curious about you too, you know.<\/p>\n
Joy gets up, and they EXIT SHOT.<\/p>\n
INT. ORMONDE HOTEL LOUNGE — MORNING<\/p>\n
Amid yet more of the sixties-tacky decor, HOTEL GUESTS sit reading papers, etc. As Joy and Gunter pause in the doorway, everyone looks at Joy, curious and nervous.<\/p>\n
GUNTER
\nCome on. They won’t bite.<\/p>\n
JOY
\n(nervous)
\nNo, that’s vampires, isn’t it…<\/p>\n
Near the door is SARAH (blond, fourteen, an innocent Alice-in-Wonderland face). Her clothes are old-fashioned looking on such a young girl: dark dress, white blouse.<\/p>\n
GUNTER
\nJoy, this is Sarah. She lived around the corner in the mid-1800’s.<\/p>\n
SARAH
\nOh, are you really an American? I’ve got so much to ask you! I always wanted to visit the frontier, before.<\/p>\n
She won’t finish and say “before I died”. Once again Joy almost reaches out to her, then stops. She’s learning.<\/p>\n
JOY
\nYes. It’s very nice to meet you.<\/p>\n
SARAH
\nI’d love to see a Wild West show! Do they do them where you live?<\/p>\n
JOY
\nI’d have to check.<\/p>\n
Then they come to PARIO (dark, mid-thirties, wearing oversized T-shirt and jeans), reading the daily racing form. He kisses his fingers amiably to Joy as she’s introduced.<\/p>\n
GUNTER
\nAnd this is Pario.<\/p>\n
PARIO
\nAh, che bella dom’na, fal\u00e9!<\/p>\n
JOY
\nYou’re Italian!<\/p>\n
GUNTER
\nPario was a race driver.<\/p>\n
JOY
\nIsn’t that exciting!<\/p>\n
PARIO
\n(casual)
\nIt was a living.<\/p>\n
GUNTER
\nHe was touring the racing circuit in 86 AD when his chariot went over in the London arena, and an opponent’s horses trampled him.<\/p>\n
JOY
\nOh no!<\/p>\n
Pario SHRUGS at Joy, SMILES, goes back to his racing form.<\/p>\n
JOY
\nThis is where George gets his hot tips?<\/p>\n
GUNTER
\nPario knows a good horse when he sees one.<\/p>\n
PARIO
\n(from behind his form)
\nAfter two thousand years, I ought to.<\/p>\n
GUNTER
\nPario’s tips bring in a lot of the money we need to keep the place going.<\/p>\n
They move on to LORNA (tall, slender, elegant, in subdued turn-of-the-century clothes). Her demeanor is very grand, like a retired duchess or actress.<\/p>\n
GUNTER
\nThis is Lorna. She did music-hall work just before the Great War.<\/p>\n
JOY
\n(confused)
\nWhich one is that?<\/p>\n
LORNA
\nWhy, the war to end all wars, my dear.<\/p>\n
JOY
\nOh. Yes. Nice to meet you.<\/p>\n
They move away, pause to look out the breakfast-room window into the little garden — postage-stamp size, a few flowers in a tiny bed, garden gnomes with peeling paint, walls on three sides: not much else.<\/p>\n
JOY
\n(sotto)
\nHow do we tell her it didn’t work?<\/p>\n
GUNTER
\nWe don’t. Some of the residents don’t really want to be in this century, so they don’t notice it. It’s just as well. None of us have anywhere else to go.<\/p>\n
JOY
\nYou seem to do okay.<\/p>\n
GUNTER
\n(shrugs: a little sad)
\nI was always adaptable. That didn’t change. But for us, nothing does.<\/p>\n
Joy glances at the clock, looks concerned.<\/p>\n
JOY
\nOh, wow, I’ve got to get a move on. Harry’ll be waiting.<\/p>\n
GUNTER
\nAre you going to be busy for lunch?<\/p>\n
JOY
\nI don’t know…I’m not sure how long this thing goes on.<\/p>\n
GUNTER
\nWell, I will be in the Cafe Royal on Piccadilly around noon, if you want to meet me there.<\/p>\n
JOY
\nSure. If I’m free, I’ll be there.<\/p>\n
Gunter gives her that little bow and heel-click again.<\/p>\n
JOY
\n(grins at him)
\nI’ll never understand how you do that in sneakers.
\n[\/scrippet]<\/p>\n
(to pages 38-42)<\/a><\/p>\n","protected":false},"excerpt":{"rendered":" Back to pp. 26-31 [scrippet]INT. ORMONDE HOTEL BREAKFAST ROOM — MORNING Joy eats her breakfast while reading the paper. George passes by her table, purposely “walking small” and trying…<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_lmt_disableupdate":"","_lmt_disable":"","activitypub_content_warning":"","activitypub_content_visibility":"","activitypub_max_image_attachments":4,"activitypub_interaction_policy_quote":"","activitypub_status":"","footnotes":""},"categories":[26,75,70],"tags":[],"class_list":["post-1790","post","type-post","status-publish","format-standard","hentry","category-europe","category-scriptfrenzy","category-writing"],"yoast_head":"\n
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