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For the month of June...


A different kind of wizardry... a different kind of wizard. Explore Kit's and Nita's world this month and get a lot of magic for not a lot of cash!

Between now and the end of June you can pick up the Young Wizards New Millennium Edition ebook box sets -- each tailored to your chosen reading device --  at half the usual price. That means you're getting the revised editions of the first nine volumes for just USD $2.22 per book!

Also available at 50% off is the between-books Young Wizards collection Interim Errantry -- 110,000 words of canonical storytelling to fill in the gap between book 9, A Wizard of Mars, and the newest Young Wizards novel, Games Wizards Play. 

Like all our other offerings from Ebooks Direct, these ebooks are DRM-free. And unlike other ebook-sales platforms, if you lose your purchases due to device loss or hardware failure, we'll renew your download links free.

So take advantage of the offer while it lasts... and thanks for stopping by!

Out now: GAMES WIZARDS PLAY

Cover for Games Wizards Play

 Now available at Amazon.com and Barnes & Noble

Every eleven years, Earth’s senior wizards hold the Invitational — an intensive three-week event where the planet’s newest, sharpest young wizards show off their best and hottest spells. Wizardly partners Kit Rodriguez and Nita Callahan, and Nita’s sister, former wizard-prodigy Dairine Callahan, are drafted in to mentor two brilliant and difficult cases: for Nita and Kit, Asian-American Penn Shao-Feng, a would-be sun-technician with a dangerous new take on managing solar weather: and for Dairine, shy young Mehrnaz Farrahi, an Iranian wizard-girl trying to specialize in defusing earthquakes while struggling with a toxic extended wizardly family that demands she overperform to their expectations… or fail.

Together they’re plunged into a whirlwind of cutthroat competition and ruthless judging: it’s “The Apprentice” with magic. Penn’s egotistical attitude toward his mentors complicates matters as Nita and Kit work to negotiate their burgeoning boyfriend/girlfriend issues. Meanwhile, Dairine struggles to stabilize her hero-worshipping, insecure protégée against the interference of powerful wizard-relatives using her to further their own tangled agendas. When it finally comes time for the finals stage on the dark side of the Moon, both the new wizards and their mentors are both flung into a final conflict that could change the solar system for the better…

…or damage Earth beyond even wizardly repair.

Also, for a limited time: Interim Errantry, the interstitial book that falls between Young Wizards book 9 (A Wizard of Mars) and Games Wizards Play, is available at 50% off from Ebooks Direct.

DD Q&A: Creation,self-esteem, and running your own work down

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(via anartificialaspidistra on Tumblr:)

Hi Diane, I’ve been a fan for a long time. Read the YW books, Wounded Sky, and eventually the Door Into… books staring when I was a kid back in the 80s. Someday I’ll take a picture of the Hello Kitty notebook I owned circa 1984 where I wrote both Ed the shark’s name and Sherlock Holmes’ name surrounded by hearts. I was totally willing to marry either one of them. ;D

Anyway, when I started looking for more Sherlock stories after the BBC show premiered I got into reading fanfic, and eventually the amazing art on Tumblr. It was great to see someone whose books I’d always loved was right in there as a fan too.

Reading someone’s tags today, I noticed the latest example of something that makes my heart hurt a little every time I see it. The art (it was a short Sherlock comic strip) was great! Well laid out, engagingly drawn, funny, entertaining, etc. But the artist’s tags were all about how terrible it was. How she couldn’t write, how she couldn’t draw, etc. I know how hard it is to put your work (of any kind) out there and just let it speak for itself, but the prevalence of young girls making something amazing and then sharing it by saying “here’s this thing I did. It’s probably terrible,” just kills me. I can’t count how many posts I’ve seen people tag or comment that their art or they themselves are “trash”. I mean, I get that they’re self deprecating for comic effect, but…

I don’t know. Maybe learning to not put down your work before someone else gets a chance to is just something that has to be grown out of, but I also wonder if more of us older women should be saying something. I’d love to see girls say “here’s this thing I made [full stop]” if it still seems too hard to say “here’s this thing I made; I’m proud of it.” Just not tearing themselves down would make a world of difference, I think.

I guess I’m just curious if you have any thoughts to add. Thanks again for writing such enjoyable stories and building such cool worlds! May you live long and prosper.

First of all: thanks for the nice words. It's always nice to know I'm getting the job done.

Re the self-esteem problem as regards talking about one's work: I see a lot of this from girl creators too. (Yet also from the boys, until they gradually knuckle under or get pushed under the surface of the whole patriarchal never-say-anything-that-might-make-you-seem-weak crap, and get it institutionalized out of them.)

Part of the problem is that the creation of art (or indeed anything else useful) is unnerving business, because you're essentially making the invisible visible: making something out of nothing -- and even that phrase is culturally loaded. ("Don't make something out of nothing!": a classic putdown for overreaction.) Yet making Something out of Nothing is also, as it happens, what Gods do. (The classic western-culture version of this: Deity moves over the surface of the empty void, says, "Hmm. Light..." and bang! Light.)

So creation routinely frightens those who who do it -- because the actual process of mastery of art takes a long time, and in the meanwhile you may frequently feel like you're riding the tiger, only half in control, while your grip on the tiger's ears is always threatening to slip. And creation frightens more badly those who don't do it (not that you'll ever easily get them to admit that), because they see you making Something out of Nothing and that's not normal. Everybody gets a little freaked as a result, and it's probably no surprise that the responses to the act of creation by both creators and spectators can get skewed -- reactions based on fear not routinely being the healthiest ones.

(Adding a cut here, since more discussion and a brief how-to course in auctorial esteem lies below. Also, "pieces of s**t"...)


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